![]() What I do for now is turn off the metronome, and create a track up the top, then Insert-Click Source. ![]() I created a video demonstrating editing on Cubase 9.5 a while back which might be of interest to anyone thinking of upgrading to any of the DAWs like Cubase, Reaper and so on:Īnd if you are interested in Manual Punch and Roll, that is punch and roll without programming in and out points, then here is a demo.I've complained about this a lot too, I use plenty of odd times. Again, it is so quick and easy to record the new line, then just use the word or even the syllable from the new take, quickly adjusting the edit point for perfection. When I clean up my recording (and I use Punch and Roll), I will frequently use the breath from the old take and not the one from the dropped in line.Īnd sometimes, I am re-recording a sentence or a phrase simply because I messed just one word, but the rest of the take was wonderful. I use Cubase, which is similar to Reaper, Studio One, and ProTools.Īside from not losing the previous take (it simply gets layered underneath) and direct to disc recording, it also leaves lots of options for editing. Software like Audacity and Audition (in non-multitrack mode), is far more suited to mastering than recording and editing. Find yourself using the same effects often? You can save these as favorites, organize your own folders, and save plug-in chains and custom presets to streamline your workflow.Īs a sound engineer of forty years, I cannot emphasise strongly enough that you must use non-destructive recording for audiobooks. ![]() When using REAPER as your DAW, we recommend downloading the free compatible plug-in suite SWS Extension as well, which includes all the effects plug-ins you’ll need to produce a top-quality audiobook. ![]() We recommend saving your settings to encode to 192kbps or higher 44.1kHz MP3, Constant Bit Rate (CBR) in keeping with ACX’s requirements. The Batch file/item converter allows you to add individual items from your timeline, or select files from a folder on your computer to encode all at once with the same encoding profile. This will be a good choice if you are exporting your files out of REAPER one at a time. The Render function is typically used to export an audio item as it appears on the timeline. When you’re ready to export your finished audio out of REAPER, there are two options: “render” and “batch file/item converter.” Either function is capable of quickly converting your WAV files to MP3, and each allows you to save an encoder profile. REAPER’s default settings include a timeline set to bars/beats, and a metronome and grid lines to sync music to a tempo-tools you won’t need for audiobook production-so you can simplify your workspace by hiding these and other unnecessary features from view. The first step in maximizing your efficiency is to set up your session to meet your needs. For more information on using these tools & effects, be sure to check out our recent episode of Q&A with QA titled, Mastering with Effects Processing. Featuring a customizable interface, REAPER allows you to set up a session view to best fit your workflow and find all the tools needed to produce a high-quality audiobook. Whether you’re new to narration or looking to up your game, we find Cocko’s REAPER to be a fine balance of the two. How can you decide which DAW is right for you? While some advanced production platforms cater more to music than narration, other simple editors leave much to be desired when it comes to post-production. Mike Taddeo of the ACX Audio QA team joins us today to discuss REAPER, a digital audio workstation (DAW) that many audiobook producers find to be a solid, cost-effective solution for audiobook recording, editing, and post-production.Īs technology continues to democratize home recording, audiobook producers are presented with more options for processing audio than ever before.
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